Blazon: Gules a cross of Santiago voided argent between two cauldrons chequy or and sable, each containing six serpents facing the exterior, in base a point dancetté vert, all within a bordure chequy of the first a castle triple-towered of the third windowed azure and of the second a lion rampant of the field crowned of the third
Whew, okay. Sadly, that blazon is probably going to be longer than anything I can write about it (if I cut out my frustration about the mystery of the snake cauldrons, which I will.) The city was actually named after a Manrique – specifically, Rodrigo Manrique, Grand Master of the Order of Santiago, which probably explains the cross of Santiago. He evidently split the town off from Torre de Juan Abad, and the citizens renamed it in gratitude.
Blazon: Per pale vert a tower or windowed gules and of the last two cauldrons in pale chequy or and sable, each containing eight serpents, four facing the exterior and four facing the interior proper; overall in the fess point an escutcheon argent charged with a cross of Santiago gules
THE SNAKE CAULDRONS STRIKE AGAIN. This is a bafflingly common motif in this region of Spain, and I have no idea why. I’ve been researching this for years – nothing but dead ends. All the sources I’ve found just seem to nonchalantly accept the existence of snake cauldrons as a thing! Seriously, there has to be a story behind these! It’s such specific imagery, and so highly localized! Please, please, if anyone knows ANYTHING about the snake cauldrons, please tell me! What is their DEAL???
Right, yeah, also the cross of Santiago in the arms probably comes from the fact the town belonged to the Order of Santiago from like the Middle Ages to the 19th century and the tower is likely a canting element, whatever, what is UP with the snake cauldrons?
Blazon: Gules on a fess in chief wavy argent a sword in fess, point to the sinister proper, hilted of the field; on a mount in base rayonné or a serpent glissant reguardant sable crowned of the first
The fess wavy is a canting reference to the “Bach” part of the name (meaning river or stream), and the sword is the symbol of St. Martin, the village’s patron saint. The snake is a reference to a local legend of a treasure hidden in the nearby castle Waldeck and guarded by crowned serpents.
Blazon: Per fess argent two cauldrons or charged with three rows of triangles in gyronny gules, each containing four serpents 2 and 2 facing the exterior proper and argent a bridge gules over water in base barry wavy azure and the field
Snakes in highly decorated cauldrons are a popular motif in arms from Albacete. So far, I have been unable to determine the origin of this unusual charge.
Blazon: Per pale gules two cauldrons in pale chequy or and sable, each containing twelve serpents, eight facing the exterior and four facing the interior proper and chequy of twelve argent a lion rampant purpre armed and crowned or, langued gules (León) and gules a castle triple-towered or windowed azure (Castile)
Blazon: Gules on a pale between two serpents erect argent a dexter wing of the field, surmounted by a triple mount in base proper
The arms were originally granted as shown by Ferdinand I, Holy Roman Emperor sometime between 1522 and 1529. It was re-granted by Maximilian II, Holy Roman Emperor in 1569. The color combination is likely inspired by the Austrian coat of arms, but the origin of the charges is unclear.
Marquis of Mortemart 1643-1663, duke of Mortemart 1663-1675 (1600-1675)
Blazon: Party of eight I gules a crescent vair (Maure), II azure three fleurs-de-lis or surmounted by a bendlet couped gules (Bourbon), III gules nine mascles 3, 3, and 3 or (Rohan), IV barry of ten argent and azure, three chevronels gules (La Rochefoucauld); V argent a serpent nowed azure, crowned or, and devouring a child gules (Milan), VI gules a chain in saltire, cross, and orle or, charged with a center point vert (Navarre), VII gules a pale vair (des Cars), VIII ermine (Bretagne); overall in the fess point an escutcheon barry nebuly of six argent and gules (Rochechouart)