Blazon: Argent a tower and lion rampant gules, in chief a molet of five points azure, all within a bordure of the first charged with eight saltires couped or
Unfortunately, I have no idea who Juan Abad might have been, and it seems like nobody else does, either. It seems reasonable to speculate that the tower is a canting element (“torre,” or “tower” in Spanish). The lion is possibly taken from the arms of Alfonso X of Castile, who granted the town’s arms, but I don’t have anything on the saltires or the molet. One last fun fact – Francisco de Quevedo, a prominent satirical Baroque poet, ruled the town for a while after his mother purchased the title for him. While the town apparently didn’t take too kindly to him at the time (read: they sued him, and he won, but only after he died), they now host an “International Graphic Humor Center” in honor of his snarky legacy.
Arms of John de Lacy, Earl of Lincoln 1232-1240 (c. 1192-1240) and Margaret de Quincy, Countess of Lincoln 1232-1266, suo jure 1240-1266 (c. 1206-1266)
From p114 of Lacies Nobilitie by Sir John Ferne (1586)
Blazon: Per pale baron and femme I per quarterly i and iv per quarterly or and gules a bend sable and a label of three points argent (Lacy), ii and iii or a lion rampant purpre (Nigold/Neale), II per quarterly i gules seven mascles conjoined or 3, 3, and 1 (Quincy), ii per pale azure three garbs or (Chester) and azure a wolf’s head erased argent (d’Avranches), iii gules a cinquefoil ermine (Beaumont), iv gules a pale or (Grandmesnil)
You may recognize the baron’s arms as those of Roger de Lacy, Baron of Halton and Pontefract; John was his eldest son. They were jointly created Countess and Earl of Lincoln in 1232. The grant was mostly due to Margaret, as the title had previously been held by her mother Hawise of Chester. Thus, John was only Earl of Lincoln by right of his wife, and when he died in 1240, she retained her title in her own right.
From p104 of Lacies Nobilitie by Sir John Ferne (1586)
Blazon: Per quarterly I and IV per quarterly i and iv azure three fleurs-de-lis or (France), ii and iii gules three lions passant guardant or armed and langued azure (England); II and III per quarterly i and iv or a double-headed eagle displayed sable armed and langued gules (Holy Roman Empire), ii and iii gules a lion rampant argent*
*Ferne describes this last coat as “the coate belonging to her family and house,” which does seem to be accurate. However, these arms seem to have originated with Anne’s grandfather, John the Blind, who quartered them with the more customary arms of Luxembourg (barry argent and azure a lion rampant double-queued gules armed, langued, and crowned or). He may have chosen to invert the tinctures of the ancient arms of the Dukes of Limburg, his ancestral line.
Torquatus points out, correctly, that this arrangement of the arms implies that Anne was an heiress, which she was not. Paradius (Ferne’s mouthpiece character) concedes the point, admitting that this arrangement is rare, but goes on to argue that this is a legitimate configuration of arms, since it is essentially the customary impalement of the arms of a married couple counterchanged by fess.This claim is dubious at best.
Blazon: Sable a lion rampant double-queued or bearing between the front paws an escutcheon gules a fess argent
The lion is a reference to the arms of the Habsburgs, and the escutcheon is easily recognizable as the arms of Austria. The region was under Austrian control until 1806. It is possible that this grant of arms was part of an ongoing power struggle between the local lords and the counts in Scheer; the grant may have been a show of support for the lords from Emperor Leopold I.
Blazon: Argent two bars gemelle, in chief a lion passant gules
It seems possible that these may be the arms of Richard de Ferings, Archbishop of Dublin. He was a close friend and colleague of John Peckham, Archbishop of Canterbury, whom he worked with until Pope Boniface VIII appointed him to Dublin in 1299.