In a delightfully convenient turn of events, the Ralph Basset featured on the Dering Roll is also fairly well-known, and the timelines line up perfectly. His father, also named Ralph, was also part of the Second Baron’s War on the losing side, and died at Evesham. Simon de Montfort had named the senior Ralph Baron of Drayton, and the title eventually passed, or was regranted, to this Ralph in 1295. This may or may not have had something to do with Ralph Jr.’s service as the governor of Edinburgh Castle under Edward I.
Some depictions of the Basset arms have paly of six or and gules instead, and by the time of this Ralph’s grandson (yet another Ralph, because why mess with a good thing?) towards the end of the fourteenth century, it looks like the arms had morphed into or three piles points meeting in base gules, a quarter ermine – but the visual similarity is still very strong.
Blazon: Ermine a bordure gules, overall a fess wavy azure
As another Robert Louis creation, I doubt these arms have been officially adopted. I also don’t have a date for their design, although it obviously has to be before his death. These are essentially the arms of Limousin, Haut-Vienne’s former administrative region, plus a fess wavy azure that presumably represents the Vienne river which gives the region its name. Louis is usually pretty rigorous in his adherence to the laws of tincture; I’m not sure what to make of the azure-on-gules here.
Oh, Bretagne. Never change. (I mean, you haven’t since around the fourteenth century, and even then, not by much.) The first arms I can find belonging to Brittany are those of Peter I, Duke of Brittany, also known as Peter de Dreux or Peter Mauclerc (i.e. “bad cleric”; he dropped out of his clerical career.) His arms were chequy of or and azure within a bordure gules, a canton ermine. The canton was added as a difference, possibly as a reference to his brief stint as a man of the cloth. Allegedly, the pure white of ermine was supposed to be a reference to the moral purity of the Church, though I’m skeptical of this attribution. Peter’s great-great-grandson, Jean III, dropped the chequy-and-bordure of Dreux in favor of the ermine canton in 1316, but no one seems to know why. Given that the decision has persisted for literally more than 700 years, I’m inclined to say it was a good one.
Arms of John de Lacy, Earl of Lincoln 1232-1240 (c. 1192-1240) and Margaret de Quincy, Countess of Lincoln 1232-1266, suo jure 1240-1266 (c. 1206-1266)
From p114 of Lacies Nobilitie by Sir John Ferne (1586)
Blazon: Per pale baron and femme I per quarterly i and iv per quarterly or and gules a bend sable and a label of three points argent (Lacy), ii and iii or a lion rampant purpre (Nigold/Neale), II per quarterly i gules seven mascles conjoined or 3, 3, and 1 (Quincy), ii per pale azure three garbs or (Chester) and azure a wolf’s head erased argent (d’Avranches), iii gules a cinquefoil ermine (Beaumont), iv gules a pale or (Grandmesnil)
You may recognize the baron’s arms as those of Roger de Lacy, Baron of Halton and Pontefract; John was his eldest son. They were jointly created Countess and Earl of Lincoln in 1232. The grant was mostly due to Margaret, as the title had previously been held by her mother Hawise of Chester. Thus, John was only Earl of Lincoln by right of his wife, and when he died in 1240, she retained her title in her own right.
Blazon: Per quarterly I and IV azure a bend of five lozenges conjoined or, II and III per pale indented or and gules, overall on a cross ermine a mitre proper
Crest: On a wreath or and azure issuant from a mural crown or charged with a Tudor rose a dexter arm embowed holding a hammer all proper
Supporters: On the dexter a figure representing Art proper vested argent wreathed with laurel vert tied by a riband gules, holding in the sinister hand resting on the shield a book bound of the last and in the dexter a palette with two brushes proper; on the sinister a figure representing Industry habited as a smith, holding in the dexter hand resting on the shield a cupel and in the sinister a hammer resting on an anvil all proper
Mantling: Azure lined or
Both coats quartered here were used by the de Bermingham family at various points in time. The family also quartered the coats, but in opposite quarters; the city changed the order for difference. The city was previously granted arms in 1889, which used a fess ermine instead of a cross, and a mural crown instead of a mitre. The supporters in the previous arms were also reversed, with Industry on the dexter and Art on the sinister.
Arms of Alan la Zouche (1205-1270) and Ellen de Quincy (?-1296)
From p81 of Lacies Nobilitie by Sir John Ferne (1586)
Blazon: Per pale baron and femme gules thirteen bezants 4, 3, 3, 2, and 1 and a canton ermine and gules seven mascles conjoined or 3, 3, and 1
The la Zouche arms have virtually always involved some number of bezants, but how many depends greatly on the source. The most common is probably ten in pile or 4, 3, 2, and 1, but thirteen or fourteen also occur, and some authorities simply describe them as bezanté, or deliberately unspecified.
Blazon: Azure three salmon naiant in pale argent finned and tailed gules
Crest: On a wreath of the colors issuant from a wreath of bay leaves vert banded or a demi-stag proper gorged with a crown of or pendant therefrom an escutcheon ermine on a chevron vert between two chevronels the chief per pale azure and gules, the base per pale gules and azure, a cross paté or, holding between the forelegs a fountain
Supporters: Two stags proper gorged with a ribbon argent pendant therefrom an escutcheon azure issuant from the base an elm tree proper in front of a sun rising or and resting the interior hind hoof on a charred woodstock proper
Compartment*: A grassy mount proper supported by a fillet wavy pre fess wavy argent and azure
Mantling: Azure lined argent
The arms are derived from the historical arms of the borough, recorded as far back as 1572; the three salmon refer to three fisheries mentioned in the Domesday Book. The escutcheon on the crest bears the arms of the Borough of Malden and Coombe, and the supporters’ escutcheons show the arms of the Borough of Surbiton.
*Compartments are usually left to the discretion of the artist, not specified in the blazon.