Blazon: Or chapé azure, water in base of the second and argent, issuant therefrom a mount, surmounted by a pine tree proper issuant from a base vert; in dexter chief, three baskets in pile reversed of the third, in sinister chief a pickaxe of the field; overall on a fess gules two dexter arms clasping hands in fess proper, vested of the field and sable
Oh. Oh no. This is definitely twentieth-century; you can tell from the multiplicity of complex charges that are specifically concerned with industry, as well as the fairly literal symbolism. This is kind of the heraldic definition of Doing Too Much. I know it’s been in use for over a hundred years, but this is just … not visually appealing at all. I’m sort of reluctant to explain all of the symbols, just because they’re so obvious, but I might as well. The pine tree stands for the local forests, the mount and the water stand for a nearby lake and mountain, the baskets and hammer refer to the salt mining industry, and the clasped hands represent the solidarity of the local workers, who absolutely deserve to be represented by something a little nicer than this.
Blazon: Or a gonfanon gules; on top of the shield two arms in saltire proper, clad in puffed sleeves gules slashed or, each holding an antler sable
The source of the gonfanon is the arms of the principal branch of the Counts Palatine of Tübingen, who were based in the area in the early twelfth century. I don’t generally make a practice of describing shield ornamentations that don’t fall into the standard crest/supporters/mantling format, but these do appear to be explicitly part of the official blazon. They were evidently granted by Duke Ulrich of Württemberg (hence the antlers) for the town’s loyalty during the Poor Conrad uprising.
Blazon: Per quarterly I and IV azure a bend of five lozenges conjoined or, II and III per pale indented or and gules, overall on a cross ermine a mitre proper
Crest: On a wreath or and azure issuant from a mural crown or charged with a Tudor rose a dexter arm embowed holding a hammer all proper
Supporters: On the dexter a figure representing Art proper vested argent wreathed with laurel vert tied by a riband gules, holding in the sinister hand resting on the shield a book bound of the last and in the dexter a palette with two brushes proper; on the sinister a figure representing Industry habited as a smith, holding in the dexter hand resting on the shield a cupel and in the sinister a hammer resting on an anvil all proper
Mantling: Azure lined or
Both coats quartered here were used by the de Bermingham family at various points in time. The family also quartered the coats, but in opposite quarters; the city changed the order for difference. The city was previously granted arms in 1889, which used a fess ermine instead of a cross, and a mural crown instead of a mitre. The supporters in the previous arms were also reversed, with Industry on the dexter and Art on the sinister.
Blazon: Vert a castle triple-towered or windowed gules supported by two lions counter-rampant and rampant of the second, issuant from the center tower a dexter arm in armor bearing a sword within a circle of seven molets of eight points, four on the dexter and three on the sinister argent, in chief a crown of the second
Blazon: Argent a bend sable between three castles triple-towered gules windowed argent, 2 in chief, 1 in base between two lions rampant combatant of the third and issuant from the ramparts a dexter arm in armor bearing a sword in bend sinister of the fourth; in base three barrulets wavy of the last